Urn:oclc:748650969 Scandate 20091021024145 Scanner . In this remarkable study, now an established classic which has remained in print since its first publication in 1971, Charles Rosen surveys the language of the music of the classical period. OL1858949W Page-progression lr Page_number_confidence 92.24 Pages 566 Ppi 400 Related-external-id urn:isbn:0393006530 Urn:lcp:classicalstyleha00rose:epub:03e3030b-c5b6-4734-946b-0a149c99d108 Extramarc MIT Libraries Foldoutcount 0 Identifier classicalstyleha00rose Identifier-ark ark:/13960/t6s圆v67k Isbn 0393040208ħ2008920 Ocr ABBYY FineReader 8.0 Ocr_converted abbyy-to-hocr 1.1.11 Ocr_module_version 0.0.14 Openlibrary_edition Charles Rosen’s latter-day reputation as one of the most erudite writers on music of his generation tends to overshadow his considerable. Urn:lcp:classicalstyleha00rose:lcpdf:c899464c-4d6b-4e13-92de-79602adce1b2 Well known as an academic who wrote about Classical style, this American was an equally celebrated pianist who worked with notable 20th-century composers, says Jed Distler. It included one of the late nocturnes, opus 62 no 1, written just a year before the end of Chopin. Access-restricted-item true Addeddate 16:02:16 Bookplateleaf 0008 Boxid IA105618 Camera Canon 5D City New York, NY Donor T he pianist Charles Rosen released his first Chopin recording in 1960.
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